In the first moment of season 5 of “BoJack Horseman”, after perhaps the darkest and most visceral season of the series so far, we find ourselves, oddly enough, at a party.
Philbert, the kind of laughable dirtbag detective character that has oversaturated the holy act of channel flipping, is staring vacantly out at his pool as “Los Angeles” by St. Vincent nods seductively into the scene. The pool, the whole house even, is familiar. We recognize it to mirror that of another alcoholic dirtbag who stars as the titular character in his own show.
Read more at Season 5 Review: ‘BoJack Horseman’ is Back to Haunt You
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